M. Lee Goff, entomology expert
   
One of only eight certified forensic entomologists in America, M. Lee Goff is at the end of a phone line when the CSI writers have a question about insects. Read about life as a bug expert in this interview exclusive to the CSI website.
 

What qualities are needed to do this line of work?
You need to divorce yourself from what’s going on and view things as a specimen, not humanity. It takes practice to learn to detach yourself. You have to try and not think of the corpse as a person.

In a morgue, a lot of what I view doesn’t look human because of decomposition, so I get caught up in one little insect pupa, or the whole microcosm of insect life there.
Also having a bad sense of smell helps too – years of handling formaldehyde have killed off a lot of my nerve endings. If I can smell it, it’s gotta be strong!

How does entomology best help to solve murder cases?
Probably 98 per cent of my work is involved in estimating time of death, based on insect activity on the body. Insects multiply to a strict timetable; one species arrives, which attracts another. It’s pretty regimented, but you have to allow for variables like temperature and where the body was placed. We help to weed out suspects based on our findings… and tie others to the scene.

We can also tell if the body’s been moved. For example, if we find bugs from an urban area and the body’s found out of the city. Also, we find wounds on decomposed bodies due to the patterns of invasion. Insects generally come in and investigate a body’s natural opening, like the nose, eyes, ears, mouth, anus and genitals. If the same insects are in the chest as well as the head, there’s got to be a wound there that was made prior to death – it’s not normal to have maggots without wounds.

I may not be able to prevent a murder, but hopefully I can stop an individual from doing it again.

What does your role entail for CSI?
They’ve used some of the cases I’ve worked on in my book A Fly for the Prosecution as plots. I mainly answer questions about whether a scenario could work – or how the production team could make it work better. It’s always along the lines of ‘a body is found on a mountain, buried up to the neck. What would happen to the body in those conditions; what insects would be present?’

Insects and decomposition are widespread, but for the CSI show they must have a handle on geographic insect activity for that region. Las Vegas, California and Long Beach are the areas that I’ve studied.

What’s your favourite insect and why?
I’m pretty intimate with chigger mites. I have a history with them. They’re so disliked but are fascinating little creatures with 500 to 600 different species. On humans they cause red welts and bites that itch like hell, but oddly after 25 years of working with them I’ve never been bitten by one!

Has your line of work become more respected because of shows like CSI?
Yes it has. I used to get just 15 students and now there are 100 in forensics. It’s also attracting a good grade of ‘strange’ people that might not have thought about this line of work before. But the general public sometime anticipates a little too much from us now, especially for court testimony. We can’t always be as precise as they’d like if the evidence doesn’t prove it. Since the OJ Simpson case, the field of forensics has become much more main stream.

Find out more about this fascinating subject in issues five and nine of CSI: The Official DVD Collection.



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