 |
With
over twenty years experience, Karen T. Taylor is CSI’s
regular forensic art consultant. Delve into this exclusive
interview on the CSI website, then find out more in issue
three of CSI: The Official DVD Collection. |
| |
What procedures of forensic art are you skilled in?
I’m the jack of all trades in the business! There’s
the whole realm of composite drawing to identify a suspect, which
is psychology in conjunction with art. There’s the manipulation
of photographs to show child age progressions or fugitive updates
and also just assessment and comparison of photographic images. This is something
that facial identification people in the UK are getting into
more and more, often because of the volume of video surveillance.
However, it’s a very murky area and I try to avoid it.
And then there’s the whole realm of ‘unidentified
body’ cases, which is what I teach at the FBI academy.
What methods are used to help identify bodies?
There’s what I call ‘post-mortem drawing’ for
the cases in which the body is intact enough for the artist
to view crime scene photos or see the body at the morgue.
Facial reconstruction comes into play if the remains of a body
are skeletal. This can be 2D, 3D or electronically done. There are slightly different approaches in different
parts of the world. The American method method or tissue depth approach, goes back to my teacher,
Betty Pat Gatliff, who started the method in the 1960s as a
way of identifying plane crash victims. It involves gluing
tissue depth markers directly onto the skull and using a schematic
of the muscles to build the face based on clues their attachments have left on the bones.
I am best known for the 2D or drawn method, which I developed in the mid 1980s.
When doing this, the artist has to protect themselves in a
health sense. Hepatitis is the big risk. You have to be sure
everything’s properly cleaned, but working directly on
the skull is far faster than having the extra step of casting
the skull, which is pretty labour intensive.
How did you get involved with CSI?
I was contacted before the first show aired, so I’ve
been on board from day one. I feel a real kinship with the
show and have developed some great friendships. I was contacted
by David Berman (who works as a researcher and plays coroner’s
assistant, David Phillips). He is the most wonderful guy. It’s
because of his demeanour with me on the phone on that first
call that I agreed to help. I hadn’t heard of CSI. No-one
had at that time! I just liked David Berman and I felt he was
very sincere and intelligent and a decent young man. It was
really down to his approach and his genuine kindness.
It must be nice to feel you are raising the profile of forensic
art.
There is an interest in forensic science due to the Discovery
Channel, but primarily it’s due to CSI that there are
teaching programs popping up all over the US both in high schools and at universities.
Educators are playing up to that interest because kids are interested
in science in a way they haven’t been for a long time.
It has been an amazing by-product of the show that I think
is particularly wonderful. Though we all understand that not
every child who wants to be a CSI can be, it is still a good
thing to slip in that hard science training. They want to learn
biology, they want to learn chemistry and physics if it’s
presented to them in a format with a little CSI twist. There
are bigger things they’re learning, like critical thinking,
pattern recognition issues – those very wise teachers
are slipping in lots of important material. That is a whole
phenomenon that’s occurring due to CSI.
How do you think CSI compares with real forensics?
People tease about CSI, say ‘Oh they can do anything
in less than an hour’, but they are intriguing stories
and it is Hollywood – they do have to compress things.
Take it for what it is. I watch with interest how the various
forensic specialists at conferences comment about the show.
Some like to be critical and others appreciate the good things. It’s human nature.
Find out more about Karen’s work by visiting www.karenttaylor.com |